2015

Renzo Piano Building Workshop, La méthode Piano

Paris, France © Michel Denancé
2015

Renzo Piano Building Workshop, La méthode Piano

Paris, France © Michel Denancé
2015

Renzo Piano Building Workshop, La méthode Piano

Paris, France © Michel Denancé
2015

Renzo Piano Building Workshop, La méthode Piano

Paris, France © Michel Denancé
2015

Renzo Piano Building Workshop, La méthode Piano

Paris, France © Michel Denancé
2015

Renzo Piano Building Workshop, La méthode Piano

Paris, France © Michel Denancé
2015

Renzo Piano Building Workshop, La méthode Piano

Paris, France

It is very difficult to successfully exhibit architecture. Nothing can really substitute actually being in the building itself, the feeling of the hybrid texture of a city, the continuous stream of voices that make up the sounds of life. An architectural exhibition can, however, clearly transmit something of the complex and shared process through which the buildings we design are conceived, constructed and then inhabited. The exhibition is therefore a partial vision, consisting of the designs, materials and tools that made up this painstaking process, those that you would find on an architect’s workbench. An exhibition can also talk about the range of elements that make up our trade as architects: the tests conducted and progress made, but also our changes of direction and disappointments. The way in which an exhibition is presented can, by implication, also communicate a style, or language, an expressive intent. For us this expression is something we call ‘the poetry of lightness’, of lighting and of movement. More information here: http://bit.ly/1MpSK6n

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